Do Androids Dream of Electric (Otters)?

The front cover of the Weidenfeld & Nicholson version; the original Blade Runner film poster.
In the 1960s, the prodigious Science-Fi writer, Philip K. Dick, produced his far-sighted masterpiece, Do Androids Dream of Electric Sheep? This dystopia would become the template for Ridley Scott’s iconic 1980s film adaptation, Blade Runner, starring Harrison Ford.
It is rather a prescient read with the explosion of AI into the mainstream, as PKD imagined a human world threatened by rogue androids, whose intelligence had become so sophisticated they had learned to reject the servile, exploitative role foisted upon them by their human masters. A set of bounty hunters within the San Francisco Police Department, including the protagonist, Rick Deckard, are tasked with eliminating this threat.
Like many Sci-Fi worlds, the future San Francisco that PKD depicts is a bleak wasteland, choking with the “dust” following the fallout of a nuclear World War. The division between the haves-and-have-nots of this world is Stark (AKA Tony Stark, AKA Elon Musk, who would have all-of-us-who-can-afford-it blast off to live on Mars.)
Bladerunner Trailer for its 30th Anniversary Release.
In the novel, there has been a mass exodus from Earth and those who have the financial means to do so have escaped to live in the far reaches of the Solar System; those that remain, include the misfits and mercenaries who can make a quick buck in the black market economy, or others such as the downtrodden JR Isidore, a victim of the War, whose mental faculties have been diminished by the choking environment: fail the intelligence tests, and you are condemned to remain on the blighted Earth, performing the sorts of menial tasks which the robots are destined to take over.
(So, ICHK students, focus on developing the range of technologies that make you uniquely human, reliable, able to work in a team, empathic, creative, and an indispensable problem solver…as well as pass your IGCSEs/IB exams. No pressure…)
In such a barren landscape, nature has been largely destroyed. The very few animals that remain command exorbitant prices from the animal traders who peddle them in exclusive shops with eye-watering price tags. They have become the ultimate commodity, replacing some elements of our society’s desire for shiny new objects such as Tag Heuer watches, Gucci handbags, and the various other talismans with which we humans adorn ourselves- perhaps as protection against the inevitability of the human condition?

There are estimated to be fewer otters in Hong Kong- seven- than the number of ICHK students in the photo on the left with Kadoorie Farm scientists.
Last term, we were lucky to be invited to Kadoorie Farm to hear about the plight of pangolins. We met with researchers such as Aiko Leong, the female scientist in the centre of the picture who was engaged with analysing traces of otter DNA found in stools, and other scant samples to try to establish patterns of movement and population numbers etc. Work conducted by students at HK University led the researchers to conclude there are an estimated seven otters left in Hong Kong. Yes, I thought I misheard too. Not seventeen. Seven. You can read more about that in this excellent feature article: https://www.kfbg.org/en/KFBG-blog/post/In-search-of-the-last-otters-of-Hong-Kong
The electric sheep that grazes on the rooftop of Rick Deckard’s flat is his prized possession, but he longs for the day where he might be able to not just gaze at the real rabbits, goats and giraffes for sale beyond the shiny glass shopfronts and purchase his very own status symbol to show off to his neighbours.
Global biodiversity loss as a bi-product of human activity has been documented by groups such the World Wildlife Fund, who state that we are now living in an age known as the Sixth Mass Extinction; within Hong Kong we have creatures such as pangolins, pink dolphins and otters who are hanging on by a thread. In a follow up to this piece, I will reflect further on the precarious systems in balance and the strategies and technologies that have been proposed if we are to be successful in- hopefully- ensuring that these species survive, as well as ensuring the flourishing of the dignity and prosperity of human life.
But if we aren’t, maybe in the future you might covet finding an electric otter wrapped up under the Christmas tree.
A thin slither of mangroves and fish and shrimp ponds that constitute the Mai Po Marshes stand in stark contrast to the mega-city of Shenzhen. Land cleared for development is visible.
We are at an age where certain aspects of science-fiction have been replaced by science fact. In the novel, the “Voigt Test ” is administered by officers looking to ascertain whether the “person” they are speaking with has the necessary empathic qualities to indicate they are actually human. Some AI robots today have already passed the Turing Test, and are becoming increasingly sophisticated to the point where they might also be likely to pass whatever empathy tests might exist in the near future.
Indeed, to a perturbing extent, we must now operate like Deckard, although we don’t have the advantage of his sophisticated testing systems. We need to be able to apply a critical rationale based upon our own intuitions and reasoning if we are to detect fact from fake. We are the guinea pigs in a new digital age, conditioned to speaking, and revealing our preferences, to Alexa, Siri, or the chatbot on the bank app etc.
(l-r) Professor Ian Wilmut with Dolly the sheep, the world’s first cloned animal; a “Tamagotchi”, a massively craze electronic animal toy in the 1990s (it’s highly probable some of your parents owned and accidentally killed one); “Come give me a hug!” Robots today are being developed with empathic traits, such as Osaka University’s Affetto infant.
Then, there’s the rather malign development of AIs that will purport to be our friend, and lend a sympathetic ear to young people who might find themselves increasingly isolated from others owing to an overreliance on tech, either through their own “choice” (the reality is that the algorithms that underpin these seemingly benign technologies are designed to be addictive to commodify your attention), or due to the pressures of family life where mum and dad are working late, so solace is found through staring at their smartphone screens.
Here, once again, PKD showed remarkable foresight as the “mood organs” that characters dial into to synthesise their daily emotional experience is much like the real invention of the dopamine-delivering technologies that almost all of us carry in our pockets. Dick’s characters search for connection and empathy within, or away from, their world through the Empathy Machines which they can plug into; these machines allow them to feel that they are momentarily like Mercer, the suffering god of their world. In a world otherwise bereft of hope it serves as some sort of spiritual escapism to escape the drudgery and meaningless of their own existence.
Do Androids Dream of Electric Sheep? Is a fantastic novel, brimming with ideas, many of which feel like they have already come somewhat true, just 56yrs after it was written. As a modern reader, we might use the text to stimulate our own thought experiment as to what the future might hold, and how we should act in it. Some of the technologies and risks that PKD predicted have already arrived. (I do wish they would hurry up with the flying cars, though…)
A graphic novel version of PKD’s seminal science-fiction novel will shortly be appearing in the library..!
Links and Citations
https://www.kfbg.org/en/KFBG-blog/post/In-search-of-the-last-otters-of-Hong-Kong
https://mashable.com/article/blade-runner-which-version-watch
https://www.theverge.com/2012/7/26/3188043/robot-baby-osaka-university-asada-laboratory
https://www.worldwildlife.org/stories/what-is-the-sixth-mass-extinction-and-what-can-we-do-about-it
Youtube: Bladerunner Trailer for its 30th Anniversary Release.







